Helmed by Portishead co-founder Geoff Barrow, this scabrous if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Poacher denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed rampage on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
